Inana’s Portrait – Reilly Method

This method really helps to get the likeness of the subjects. It’s based on relationships. I think there are methods that seem to feel more natural than others. I have tried Bridgman’s too and Loomis. There are some overlaps, it is helpful to learn about them all as they form a good foundation for the understanding of the head structure (full body anatomy as well)

I did several tries, I wanted to get the likeness but also to enhance what the model projects, she is classy and elegant naturally, a piercing glance with confidence yet very sweet.

The hair mass was fun to do. natural curls and jet black. black hair can be challenging to show texture and the direction of the strands, I used the finest point I had to give a loose texture all around the edge to suggest curly hair, and the natural shine of black hair. In reality the highlights are blue but with a black and white translation it’s just a matter of value. I was frugal with expression lines, with women and children, too many lines can age the face very quickly even if one is true to original. The rule of less is more.

2018-03-19 12.33.20I put special attention to the lips, it’s easy to fall into doing an outline, when the subject has lipstick and lip liner but again, it needs to be treated as value and breaking the mini volumes that form the cluster of the lip shapes, each of these mini volumes shaded in isolation for the final sum of the whole effect. Same with the 6 parts of the nose, the bony part the cartilage split in half, the wings and the tip of the nose. In some faces the split it’s almost invisible making out a very exquisite ball of the nose. It is necessary to be aware of this even if those lines are not drawn, if you understand what is to be found you can understand it’s visible absence too, or if a little hint is needed.

This method allows placing of the features in the right place, by drawing the spaces and delimitating the areas where the planes meet. It makes shading easier too as you see which planes, as the mapping shows, are in shadow, light, and where midtowns are as well. At the final pass in the inking process is really a process of elimination of the pencil work, with as few lines as possible, keeping ONLY those lines and shadows that tell the story of this face, it’s identity.

2018-03-20 18.37.01

3 thoughts on “Inana’s Portrait – Reilly Method

  1. Bassey Bassey Inyang March 15, 2020 / 11:47 am

    Your style is unique and amazing! Keep on the good work!!

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