Portrait – The Reilly Method

Handouts for my latest workshop class on the Reilly Method of drawing portraits.
This is the most intuitive way to draw portraits I have ever found. Based on relationships. When I learned it I used to get lost into the process of where to start, how to see. I created this sequence to un-complicate the thought process for anybody who learns it for the first time. So see it applied here’s a post and here another post

Upgrading Detail

D9EDD9BB-1336-43DF-A391-D5466EB4BDCA.jpegI have been studying anatomy and expression, and revisiting the Reilly method of drawing. I learned the Reilly method through years of working at a studio of a very accomplished portrait artist in Boston: Mr Ouelette. Barbara Morse, another brilliant artist and wonderful woman, gave classes in his studio for years, and I was a fly on the wall learning as I posed in her demonstrations.

To me this is the best method I have seen as it is very organic and flexible, it has beautiful rhythm and it’s dynamic and lively. Here my attempts to experiment and implement this in my figures.

In my opinion the best source is Faragasso’s book, as Frank Reilly didn’t write any books on his method, yet his pupils did. Frank himself was a pupil of Bridgman who’s books are a bible for anyone who wants to get seriously in depth learning the construction of the human figure.

There’s three basic foundations to draw people: 1- understanding anatomy, 2- studying proportions and method of construction (Bridgman) and the academic classic Atelier method, and 3- learning to see the rhythm, grace and beauty of the human machine (Reilly)